The project`s main idea is based on different ways of detaching from reality, through the consumption of different substances who facilitate the transition between what is real and what we perceive as being real when narcotized, only this time the reality will be distorted, varying from one individual to another, also from various substances to others. The paintings become a reflection of reality seen through the eyes of these consumers, in this sense they are an altered perception with oversaturated colours, where certain objects or characters will be clear as a picture, being in focus, and therefore important in the mental processes of the subject, as the rest of the image will diffuse in different distortions, blending in a blue compost.
The objects who are very rich in details, hyperrealist are inspired by the writings of Jean Baudrillard and the concept of the simulacra as a „reflection of a profound reality, and also the work of Aldous Huxley „The Doors of Perception, who details a trip he experiences taking mescaline, and seeing the
beauty in normal, everyday objects, being drawn into their details, their surface suficing as an object of admiration. These are the sort of things people ought to look at. Things without pretensions, satisfied to be merely themselves. By placing the viewer in front of these images, he will hopefully be emerging in the subject`s world, looking through his eyes, bonding the two, as the subject is sharing with the viewer emotions, psychological processes and experiences in a moment of high vulnerability. Through this swap, the viewer will have a direct insight on this alternative reality full of insecurities and misrepresentations, states of ambiguity and fragility.
The objects who are very rich in details, hyperrealist are inspired by the writings of Jean Baudrillard and the concept of the simulacra as a „reflection of a profound reality, and also the work of Aldous Huxley „The Doors of Perception, who details a trip he experiences taking mescaline, and seeing the
beauty in normal, everyday objects, being drawn into their details, their surface suficing as an object of admiration. These are the sort of things people ought to look at. Things without pretensions, satisfied to be merely themselves. By placing the viewer in front of these images, he will hopefully be emerging in the subject`s world, looking through his eyes, bonding the two, as the subject is sharing with the viewer emotions, psychological processes and experiences in a moment of high vulnerability. Through this swap, the viewer will have a direct insight on this alternative reality full of insecurities and misrepresentations, states of ambiguity and fragility.